love all the nails in a neat row.re-organising and tsking them out of context.also they become important in themselves instead of their function of holding the structure together.
at a certain point, the work takes over, is in activity beyond the detailed control of the artist, reaches a power, grace momentum, transcendence... which the artist could not achieve except through random activity.
- Gustav Metzger 1964, in Metzger at AA
love all the nails in a neat row.re-organising and tsking them out of context.also they become important in themselves instead of their function of holding the structure together.
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